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ARTISTS
Stefan Hersh, violin
Maria Loudenitch, violin (UK)
David Yang, viola (USA)
Tristan Cornut, cello (France) TBC
Andy Williamson, Saxophone (UK)
Gabrielle Mills, Composer-in-Residence
PROGRAMME
Johann Sebastian Bach (1685 – 1750): B Minor or A Minor solo violin sonata/partita
Ludwig van Beethoven (1770 – 1827): String Quartet in Eb Major, Opus 127
Gabrielle Mills (b. ): New piece for sax and sq on Devon folk songs *world premiere*
Dmitri Shostakovich (1906 – 1975): String Quartet No. 4
Augusta Read Thomas (b.1964): Rumi Settings for violin and cello
Oliver Knussen CBE (1952 – 2018) Secret Psalm for solo violin which I love to play
Tom Vignieri (b. ): Walk with Me
BIOGRAPHIES
Born in Russia, violinist Maria Loudenitch immigrated with her musical family to the U.S. at the age of two and grew up in Kansas City. In 2021, she received first prizes in the Ysaÿe International Music Competition, the Tibor Varga International Violin Competition and the Joseph Joachim International Competition. She also received numerous special prizes at these competitions, including Joachim’s Chamber Music Award, the prize for Best Interpretation of the Commissioned Work, the Henle Urtext Prize, and a recording contract with Warner Classics. In recent months, Maria Ioudenitch has made her debuts with Deutsches Symphonie-Orchester Berlin (at Berlin’s Philharmonie), MDR- Sinfonieorchester Leipzig, Düsseldorfer Symphoniker and Münchner Symphoniker. Other recent engagements have taken her to the NDR Radiophilharmonie Hannover, Lithuania Chamber Orchestra and Utah Symphony. She is an active chamber musician and has taken part in multiple chamber music tours with Ravinia Steans Music Institute and Marlboro Music Festival.
Violinist Stefan Hersh enjoys a varied career, equally at home as a chamber musician, soloist, orchestral musician and pedagogue. He performs throughs the USA as a guest artist, teacher and lecturer both as a guest performer, and as a member of the Rembrandt Chamber Players. Mr. Hersh moved to Chicago from Minneapolis where he was Principal Second Violin with the Minnesota Orchestra. He was the Second Violinist of the Chicago String Quartet, and a member of the Chicago Chamber Musicians. Previous positions for Mr. Hersh include Concertmaster of the San Francisco Chamber Orchestra and Sinfonia San Francisco, and Assistant Concertmaster of the Vancouver Symphony. Mr. Hersh has been heard as a chamber musician in venues including the Bard, Ravinia, Olympic, Skaneatles, Moab, Taos, Colorado College, Roycroft and Chamber Music West festivals. He performed Mozart’s Concertone for Two Violins with violinist Joseph Silverstein and the Minnesota Orchestra and his performance of Max Bruch’s Scottish Fantasy with the Minnesota Orchestra drew critical praise from the press and was featured on national radio broadcasts.
Recipient of an artist fellowship from the Independence Foundation awarded to a small number of exceptional artists, American violist David Yang has been called “a conduit for music” and his playing described as “lithe and expressive” in the Strad Magazine. David has been heard in collaboration with members of the Borromeo, Brentano, Miro, Pro Arte, Vermeer, and Tokyo String Quartets and Apple Hill Chamber Players, Trio Solisti, and Eroica Piano Trios. As an active advocate of new music he has commissioned dozens of works. Artistic Director of the Newburyport Chamber Music Festival (Boston) and Director of Chamber Music at the University of Pennsylvania (Philadelphia), he is also a member of string trio Ensemble Epomeo based in the the United Kingdom, their premiere recording was designated “Critic’s Choice” in Grammophone Magazine. Their second CD included the music of Schnittke, Penderecki, and Kurtag (“…remarkable intensity and elegant assurance throughout… bristles with detail – there are finely balanced chords moving from glowing diatonicism to harsh dissonance, and carefully shaped melodies with beautifully expressive vibrato – yet they never lose sight of the work’s broader architecture, nor of its poignant, increasingly bleak mood” – The Strad Magazine).
Born in Paris, cellist Tristan Cornut is laureate of many international competitions, notably the ARD Competition in Munich, the Domnick Competition in Stuttgart and the Gaspar Cassado Competition in Hachioji (Japan). He studied at the Paris Conservatory with Roland Pidoux and at the Musikhochschulen Stuttgart and Freiburg with Jean-Guihen Queyras. He has appeared as a soloist with Bavarian Radio Symphony Orchestra, the Stuttgart Chamber Orchestra, the Munich Chamber Orchestra, the Strasbourg Philharmonic Orchestra, Ensemble Resonanz and the Tokyo Philharmonic Orchestra among others. Since 2012 he is the principal cellist of the Deutsche Kammerphilharmonie Bremen and teaches at the Musikhochschule Freiburg. As a passionate chamber musician, Tristan has shared the stage with musicians such as Yo-Yo Ma, Salvatore Accardo, Bruno Giuranna, Antonio Meneses, Miguel Da Silva and Daniel Hope and won top prizes at the Melbourne, Trondheim and Joseph Haydn (Vienna) chamber music competitions.