Date/Time
Monday 16 June 2025
7:30 pm - 9:30 pm
Categories Film
Book here now: £9 full price • £7 or £5 if you prefer – please pay what you can*
“Udi Aloni’s Junction 48 is an immersive fictionalized portrait of an aspiring rapper struggling to find his voice amid the constant din of long-festering Arab-Israeli tensions.
Kareem (real-life Palestinian rap artist Tamer Nafar, whose experiences inform the film) lives in the drug-addled city known as Lod to Israelis and Lyd to Palestinians — the site of a former railroad junction where both Jews and Muslims have been coexisting, at least in the physical sense, since 1948.
After his mother is injured in a car cash that kills his father, Kareem becomes more determined than ever to pursue his dream despite all the obstacles standing in his path, with the support of his strong-willed, golden-voiced girlfriend, Manar (Samar Qupty).
While music and politics have played roles in many a disparity-bridging scenario, co-writers Nafar and Oren Moverman (who received an Oscar nomination for 2009’s Iraq War-themed The Messenger) and Israeli American director Aloni, have no fanciful illusions about achieving peace through hip-hop.
Rather, through its keenly observed small moments and the presence of the charismatic Nafar and his infectious, socially charged raps, Junction 48 sensitively yet powerfully conveys the considerable challenges inherent in attempting to reconcile those rocky crossroads of coexistence and cultural identity.”
The above is the full text of the review by Michael Rechtshaffen in the Los Angeles Times
Presented in association with Totnes Friends of Palestine
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See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre: getting here, parking, loos, PA tickets, etc.
* We usually have three ticket prices – please pay what you can. If you can pay the full price, that’s great. If choosing a cheaper ticket allows you to come to more things, then please do! Ticket receipts are split between the artists (it’s usually their livelihood!) and the arts centre (keeps the place going). Except on the rare occasions when we have a sellout gig on our hands, it’s always better to have someone here in the audience than an empty seat, so genuinely, please pay whatever you can.